(... or Pappardella # 1, depending on your point of view)
Sometimes it happens that friends / We ask me advice on which machine to buy to approach photography. One good way would be to buy a camera. You do not have at all costs, sacrificing the pig with all of your savings, including those of confirmation and first communion-market hesitate different price ... Also, do not forget dell' usato, che è una cosa buona e giusta.
Ed ora, se io spendo più soldi per la macchina, farò foto più belle?
Ni. Io parto dal presupposto che quello che conta maggiormente siano le IDEE. Per cui, non spendiamo patrimoni per comprare l' ultimissima Canon o l' ultimissima Nikon uscite sul mercato pensando automaticamente di fare foto più belle.
Impararate la tecnica, tutto quello che c' è da imparare, poi quando c' è da scattare DIMENTICATEVELA, non perdetevi in tecnicismi, in discorsi lunghissimi se sia meglio Nikon o Canon e sopratutto non entrate a far parte di guerriglie del tipo "a morte i nikonisti, viva i canonisti". La fotografia (fortunatamente) non è nulla di tutto questo.
When you purchase your first SLR (or, if you insist you shall have also developed a compact) a recommendation is to work entirely in manual mode. This is because you have to decide what to photograph, but above all as a photographer. That is crucial: if in fact worked autoamatica mode the camera will decide for you therefore you will never learn. Today with digital costs virtually nothing to do experiments. Let us remember that the photo may actually see very far depending on how I decide to photograph, as I use open or closed apertures, long or short exposure times, etc. etc. What
look is not necessarily what we see, feel, and hear.
The vision camera is made of fragments of time and space and captured at the same time deformed, crushed, raped by 'objective.
why that picture is not necessarily what we see. With photography I can change the perception of reality, I can mold it to shape my inner feeling.
How? initiated by 'this objective is unknown, soon on these screens.
Sometimes it happens that friends / We ask me advice on which machine to buy to approach photography. One good way would be to buy a camera. You do not have at all costs, sacrificing the pig with all of your savings, including those of confirmation and first communion-market hesitate different price ... Also, do not forget dell' usato, che è una cosa buona e giusta.
Ed ora, se io spendo più soldi per la macchina, farò foto più belle?
Ni. Io parto dal presupposto che quello che conta maggiormente siano le IDEE. Per cui, non spendiamo patrimoni per comprare l' ultimissima Canon o l' ultimissima Nikon uscite sul mercato pensando automaticamente di fare foto più belle.
Impararate la tecnica, tutto quello che c' è da imparare, poi quando c' è da scattare DIMENTICATEVELA, non perdetevi in tecnicismi, in discorsi lunghissimi se sia meglio Nikon o Canon e sopratutto non entrate a far parte di guerriglie del tipo "a morte i nikonisti, viva i canonisti". La fotografia (fortunatamente) non è nulla di tutto questo.
When you purchase your first SLR (or, if you insist you shall have also developed a compact) a recommendation is to work entirely in manual mode. This is because you have to decide what to photograph, but above all as a photographer. That is crucial: if in fact worked autoamatica mode the camera will decide for you therefore you will never learn. Today with digital costs virtually nothing to do experiments. Let us remember that the photo may actually see very far depending on how I decide to photograph, as I use open or closed apertures, long or short exposure times, etc. etc. What
look is not necessarily what we see, feel, and hear.
The vision camera is made of fragments of time and space and captured at the same time deformed, crushed, raped by 'objective.
why that picture is not necessarily what we see. With photography I can change the perception of reality, I can mold it to shape my inner feeling.
How? initiated by 'this objective is unknown, soon on these screens.
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